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Monday, 21 January 2013

Never Die Some Memories!

My Mind- stuffed with memories, both sweet and sour- is like a python cud-chewing its swallowed preys, mostly the sour ones. The accident a ten-year-old boy met with[ my neighbor’s son] a decade ago on a New Year’s Day still lingers in my memory, burns my heart and never let itself eroded by the waves of time. I was then at Madurai having a short stint in a bank.

To me, until 2001, every New Year’s Day used to be a day of reckoning and renewal. Like snakes doffing off their old skins, I would, on that day, get my mind repaired and rejuvenated, filling it with some make-believe thoughts and promises. To me, among all the chores that I do on a new year’s day, visiting a temple and praying to god to paint my future green is a paramount one. But, after a few days, I would tend to forget both god and family when workplace storms catch me by the scruff of my neck.

The 1st of January 2001, as usual, dawned with hopes. My family and I were waiting in a bus station as we wanted to go to a nearby temple. Standing with us was a small, vivacious boy of about 10-years-old. He was restless, nagging his mother to get him a piece of watermelon from the fruit vendor who had pitched in his shop at the other side of the road. In a split second, the boy got released his hands from his mother’s grip, started running across the road only to get himself run over by a heavy laden truck.

 He was lying on his stomach under the front wheels of the truck, bedaubed with blood. Gosh! He was crushed to the dregs. While his body was mangled, his right hand was seen holding out a crumbled ten rupee note, the money he got from his mother for buying a slice of watermelon. ‘Muthu”, hollered his mother, ran over to him in one bound and cried her head off. She fainted soon, unable to bear the sight of her mutilated son. A few spaces from the boy’s mom stood the fruit vendor in awe and shock.

Soon, all my New Year’s spirit had waned as I stood dazed wringing my hands helplessly. For one moment the boy was in flesh and blood, animatedly chatting with my mom and regaling us with his wits, the other moment he was dead and gone. Hell with fate! We cremated him later in the next day, and his father lighted his funeral pyre.

12 years had rolled by quickly since the boy had gone to ashes, a small bud dropped on the ground without blossoming. Muthu’s ever weeping mother now got her recouped from the tragedy. Time had healed her off completely. I heard she was seen going to the temples every now and then, and the family was on its rails.

But what happened to me? Brooding still over the gory death of the boy, which I’d seen with my own eyes, I still remain not to get myself reconciled to what had happened. Time could not dim my remembrances of him. After the boy’s death, whenever I see the 1st of January every year in the gird of a daily calendar, I begin to think of Muthu lying on his stomach under a truck with his right hand holding a crumbled ten rupee note. I don’t go to temples on New Year’s Day nowadays.  In fact on the 1st January of every year, I become gloomy to the consternation of my family as I don’t involve myself in New Year’s celebrations.

This January of 2013, I was at Madurai attending a family function. I got up early in the morning, raced over to the race course road where the boy had met with the accident. It was still dark and the broad arterial road was lying in respite preparing itself to face the onslaught of the vehicles and the hustle-bustle of upcoming day’s activities. Moving slowly to the middle of the road and placing thereat a piece of watermelon, I stood still awhile, closing my eyes.

‘Amma, I want watermelon. Give me ten rupees,’ Muthu’s tender voice seemed to reverberate across the road. I felt like I had a thud in my heart. When I felt someone holding my hand, I saw a man standing beside me with cut flowers. The man was an old guy, must be in his mid-50s, sporting a long flowing white beard. He was bald, emaciated and his dhoti and shirt are crumbled and dirty. I was unable to recognize him for a moment. However, when he took away his power glasses, I began to know whom I was with.

Gosh! He was none other than the fruit vendor from whom Muthu wanted to buy a slice of melon. Even at that old age, the vendor finds it humane to remember a dead young soul on the day of his premature demise. The world, I thought, still moves on it axis because of the existence of such gold hearted  persons. God bless them.

Courtesy image: Google

Thursday, 17 January 2013

Is Love a Swan or Crow? - Part II

Back in the village, Naran now looks at the place he had grown in. The village is bald and barren. Mango and coconut groves, which once added luster to the beauty of the village, have now yielded ground to high-rise buildings. The village is now wearing a new cap…. cap of modernity and development. The new bus station is a quite a sight of him as it was not there before. People are swarming a wine shop that had sprouted near the village temple. ‘Change seems to be the new mantra of the village, but I feel I don’t belong here,’ he thought.

When he comes close to his house, he sees his mother sitting in the courtyard, chatting animatedly with a woman, and laughing. Naran’s heart tugs at the sight as he thinks how his mother could laugh heartily forgetting the premature death of his elder son. A moment later, Shoba comes out of his house, and his heart misses a beat. It’s with great effort that he restrains his thought of going over to her and taking her in his arms.

Draping herself in a gorgeous Kanjeevaram silk sari with a matching designer blouse, Shoba looks like a bride. As is her wont, she sports her long, dangling hair in plaits and binds its end with tassels. Strands of jasmine flowers fastened to the upper part of the plaits near her nape make the air balmy. But the rupee size Bindi she is sporting in her forehead tells a different story as it unmistakably confirms that she is married. Now, Keshav also comes out of the house, tickles Shoba’s hip. She laughs aloud and then blushes.


“Shoba is more practical and down to earth girl,” Naran hears her mother telling the woman sitting by her side. “When she saw Naran’s shattered body on the railway track, she cried her head off. It took me two years to convince her to marry Keshav. I told her that Naran always thought of her as part of his family and she would be honoring his wish if only she married Keshav. With much reluctance, she married my younger son. She is now happy, has forgotten Naran’s love as a bad dream. God bless the couple.”

Naran’s soul screams. He feels as if he gets a train run over his rented body again. He also feels that he is bleeding in his chest. ‘Betrayal… a great betrayal’ he moans. He fights back an impulsiveness to go and strangulate Shoba. Disappointed and distressed by the bizarre scene he saw in his home, Naran moves away from the place in quick patter without even looking at Shoba or bothering about the tears that wells up in his eyes.

He is now far away from his village and treacherous home. The place he is now standing at seems to be the village forest as he cannot see any human habitats out there. Still not able to stomach the betrayal perpetrated on him by Shoba and his family, he yells, stomps his feet on the ground and calls out King Yama.]

Naran
King Yama! Yamaraj! Do you hear me?
[Before long, Naran sees a ball of fire rolling down from the sky, and King Yama jumps out of it riding a water buffalo.]

King Yama
Why, Naran? Why did you call me?

Naran
Oh, King! My swan has become a crow. I lost my love, my Shoba. She married my brother Keshav. Both of them betrayed me. Who said love is divine?

King Yama
None, but you. Love can never be divine, Naran.  It’s an ugly duck. You dress it up with your blind emotions and imaginations and make it look like a dancing peacock. Oh, you… a poor star-crossed lover! Don’t you know that love has no shape or soul as it’s nothing but your alter ego filled with raw passions? We now have your Shakespeare in our midst. We brought him from his Stratford home centuries back. I often hear the playwright talking about love with a scorn. He says: “Love is not a tender thing. It is too rough, too rude, and too boisterous and it pricks like thorn.”

Naran
Oh, King! Stop preaching me about love. Tell me, why did Shoba abandon me and marry my brother?

King Yama
That’s not her fault, its cruel play of fate. You are dead for three years. Do you still want her to remain hooked to your memories? Women marry men not memories. Don’t you men remarry after the death of your wives?

Naran
Enough, King…. enough of the goddamned love. I now learn that love is falsehood-personified. Take me back to your Kingdom. I don’t want to live here as the earth is littered with betrayers and chameleons.

King Yama
No, Naran. I can’t do that. As I said earlier, an option once selected cannot be reversed.

Naran
[Sobs] Then, what you want me to do?

King Yama
 Be on the earth for sometime and teach people about the futility of love; tell them that love is not be-all and end-all of life.

Naran
Sometime on earth!!! How long, King?

King Yama
Fourteen years.

Naran
 Fourteen years!!! [He faints, and King Yama disappears from the scene]

[Concluded]

P.S. [Benvolio, the kinsman of Romeo’s family in Shakespeare’s play ‘Romeo and Juliet is the invisible hero of this short, amateur play, which reflects his uncharitable and unpalatable remarks against love. While Benevolian remarks against love find space here in this play, I don’t subscribe to his views. To me, love is universal; the mellifluous song of the soul.]

Image courtesy: Google